Cyanotype: Photography’s Blue Period

Worcester Art Museum, Worcester, MA

January 16-April 24

The New York Times included my work in their article about Cyanotypes: Photography’s Blue Period.

Photograph Magazine reviewed the exhibition.

The Boston Globe reviewed the exhibition.

I’m honored that my work from the exhibition is the cover for the catalog, produced in collaboration with students and faculty at Clark University.

This is the first major U.S. Exhibition examining the rise, fall, and resurgence of the Cyanotype. Artists include: Anna Atkins, Henry Bosse, Annie Lopez, Hugh Scott-Douglas, Christian Marclay, Arthur Wesley Dow, and more.

FotoFest Biennial: Discoveries of the Meeting Place

March 12-April 24

2101 Winter Street, Houston, TX

Time LightBox named Discoveries of the Meeting Place as an exhibition to see at FotoFest, the nation’s longest running festival of international photography.

I’m thrilled that Karen Irvine, Associate Director, Museum of Contemporary Photography, Chicago, selected my work for the 2016 FotoFest Biennial Discoveries of the Meeting Place exhibition.

The ten exhibiting artists have been selected as a particularly significant “discovery” by one of ten international reviewers chosen by FotoFest from the 160 curators, editors, publishers, gallery owners, and collectors who reviewed artists’ work at the 2014 Biennial Meeting Place.

Littoral Drift 

Memphis College of Art

February 26–March 26

Opening reception March 18, 6–8 pm

I’m fortunate to have a second iteration of my solo show Littoral Drift on view now at the Memphis College of Art.

Fredric Koepel reviewed Littoral Drift for the Commercial Appeal.
“The primary example is the magnificent “Littoral Drift #284,” an expansive square arena of many sheets that seems to embody all the mythos and pathos of the human relationship to the oceans that surround us, as well as being a sort of star map to the nebulae and deep space beyond. The fear of the void is here, as well as the gorgeousness of the exhaustive and visceral experience of nature.” -F.Koepel

In San Francisco, this exhibition was reviewed by KQED and The San Francisco Chronicle. Additionally, The San Francisco Chronicle featured a two-page spread about my work.

Produced in conjunction with the exhibition, the catalog Littoral Drift includes thirty plates, images of my process, and an interview with Allie Haeusslein, Associate Director, Pier 24. Strange Fire, a collective dedicated to current social and political forces, featured the catalog interview.

Salt/Water 

Photographic Center Northwest, Seattle, WA

January 7-April 3

Sarah Margolis-Pineo reviewed Salt/Water for Daily Serving.

Michael Unchurch reviewed Salt/Water for the Seattle Times.